This actually seems to work pretty well. Admittedly, there is some wonkiness with the hair and the background, but her body movements seem very consistent and we don't seem to be getting those weird body/facial transformations that often seem to crop up. Overall, I like this animation tool's results.
admin sama please illustrate panel 12 here it didn't make it into the final comic but that straight on angle of her melting like that is incredible artwork
I'm actually impressed with how well the animator dealt with this. Yes, some weirdness a couple of times, which would probably be corrected with an extra panel or two to smooth the transition, but overall, I feel like this is one of the best results yet.
This is another result from ToonCrafter, an AI frame interpolator, this time fed with panels from the opening scene of Lighter Chains Volume 5. There's some weird bits of course, but there's a lot of potential here for automating the "boring" parts of an animation where you just need some blocking and idle animations.
As a storyboarding aid, this can also show what amount of limited animation you can get away with - some of the shots work surprisingly well.
I've had some interesting results upscaling the frames from this in stable diffusion, but I want to see if doing some quick fixes to the animations or training a lora on the source panels can help things.
I mean, yeah, I could talk about all the things that are weird about this, but... who the fuck cares? Good, ethical use of these programs could do a LOT for the animation industry without harming the jobs of animators. Stuff still needs to be drawn and adjusted. Perhaps just with less tedium.
I think it's a good thing you're experimenting with this. Though, since I'm not part of the art community, I mostly say that because it seems to be a thing you're passionate about. I hope you find ways to use these tools to make things more fun for you.
This is another result from ToonCrafter, an AI frame interpolator, this time fed with panels from the opening scene of Lighter Chains Volume 5. There's some weird bits of course, but there's a lot of potential here for automating the "boring" parts of an animation where you just need some blocking and idle animations.
As a storyboarding aid, this can also show what amount of limited animation you can get away with - some of the shots work surprisingly well.
I've had some interesting results upscaling the frames from this in stable diffusion, but I want to see if doing some quick fixes to the animations or training a lora on the source panels can help things.
Wow, it didn't take long for this FGS* initiate to bottom-out for her virginal paramore!!
Part of me is hoping that once he thoroughly has his way with her, she develops strong feelings of attachment for him only for her to discover that, once her mind clears the fog of orgasmic ecstasy and her awareness of her surroundings slowly return, he effectively abandoned her to clean-up the mess he'd made of her -- this encounter being nothing but a one-off wham-bam-thankya-ma'am conquest for him to add yet another notch to his belt!
Oh my goodness! Her cute little feet are like half the size of his enormous dick! I'm sure with practice she could get very talented with them. But God Damn! That back view! And her conflicted hesitation... you almost just want to pat her on the butt and be like "There, there... just relax... you'll love it.."
Hmmmm, despite her empty threats of violence, with the way her cute little toes were splayed apart, it looks to me more like she was caressing her paramore's well-endowed manhood in anticipation of how it's going to feel inside of her virgin pussy and had no intention of kicking him!!
[Mistress tying the man's feet] Man: Is this necessary? Mistress: You play in my bed, you play by my rules. Man: Uh.. fair enough I sup-oof [Man is interrupted as Mistress pulls him back, tightening the ropes on his wrists] Mistress: Now then, I *am* going to have to torture you for a bit. Man: t.torture? Mistress: Mmm, yes. If you have been possessed, it'll only come out when you're at your most primal level of consciousness. Oh don't worry, you'll like it...At least at first.